Hair, Altadena Music Theater

Altadena Music Theatre’s presentation of “Hair,” under the skillful guidance of Producer Sarah Azcarate and Director Oliver Azcarate, delivers a uniquely impressive experience that extends beyond the confines of the stage. Before delving into the performance, it’s worth acknowledging the meticulous attention to detail that enhanced the overall professionalism and enjoyment of the evening.

The strategic use of park space, coupled with convenient parking facilities, sets the stage for a seamless and accessible entrance to the venue. The pre-show ambiance is enriched by an immensely enjoyable selection of music, creating a pleasant atmosphere for the audience. The distribution of full-color programs by ushers upon arrival adds a touch of sophistication, while the provision of a comprehensive snack and drink bar, inclusive of souvenir items, further contributes to a well-rounded and enjoyable theater experience.

As the curtains rise, the production unfolds as a stellar performance from start to finish. While the reviewer notes a slight deviation from the original piece’s provocative nature, the production succeeds in maintaining a balance suitable for a family-focused audience. The energy of the show leans towards uplift and excitement, aligning with Altadena’s commitment to delivering not only quality theatre but also a quality experience for its patrons.

The ensemble, led by Daniel Hartman’s captivating portrayal of Claude, Steve Mazurek’s energetic Berger, and Sarah Azcarate’s nuanced Sheila, exhibits a Broadway-quality talent that stands out throughout the production. Noteworthy is Azcarate’s emotionally charged performance of “Easy To Be Hard,” a standout moment in the show.

The choreography by Melissa Schade and music direction by Chris Wade significantly contribute to the production’s energy and rhythm. Well-executed dance sequences serve as a visual feast, complementing the powerful themes of the musical. The supporting cast, a vibrant mix of local artists and performers, adds depth and diversity, showcasing the wealth of talent within the community. Special recognition is given to Michael Mullen’s terrific portrayal of Margaret Mead, a moment that successfully pushes boundaries and captures the spirit of “Hair.”

The decision to present “Hair” by Gerome Ragni and James Rado, with music by Galt Macdermot, is commendable, resonating strongly with timeless themes of freedom, self-discovery, and social consciousness. In a world marked by conflict, these themes take on added significance, and the musical arrangements, arranged with Concord Theatricals on behalf of Tams Witmark LLC, elevate the overall experience.

As a fellow theatre creator, the reviewer expresses appreciation for the dedication displayed by the entire team. The synergy between cast and crew results in a production that not only entertains but also provokes thought on societal norms and individuality. Ms. Azcarate’s evident love and dedication to the art form shine through, polishing every aspect of the company and creating resonant art that rivals even the largest professional theaters in Los Angeles.

In conclusion, Altadena Music Theatre’s rendition of “Hair” becomes a celebration of artistic expression and a poignant reminder of the enduring relevance of its themes. This production stands as a testament to the thriving talent in the local theatre scene, and the reviewer eagerly anticipates the continued growth of everyone involved in future projects, committing to attending every show this remarkable company produces.