The Altadena Music Theatre’s staging of Guys and Dolls delivered a vibrant and engaging experience, paying homage to one of Broadway’s most beloved classics. Under the skilled direction of Doug Kreeger, the production balanced the show’s larger-than-life humor and romantic charm, ensuring that both newcomers and long-time fans found something to enjoy.
The standout performances of James Byous as Sky Masterson and Elizabeth Eden as Sarah Brown breathed life into the beloved central couple. Byous brought a charismatic swagger to Sky, seamlessly blending confidence with a hint of vulnerability. Eden’s Sarah was equally compelling, with a pristine voice and nuanced portrayal that captured the character’s journey from righteousness to romance.
Altadena Music Theatre’s Guys and Dolls was a triumph, and at its heart was a star-making performance by Margaret Spirito as Miss Adelaide. Spirito was a whirlwind on stage, capturing Adelaide’s vulnerability and humor with precision and charm. Her comedic timing was impeccable, and her rendition of “Adelaide’s Lament” was not just a highlight—it was a masterclass in character work. Spirito’s energy, wit, and emotional depth turned Adelaide into a true standout, drawing both laughter and sympathy from the audience. Her chemistry with Justin Anthony Long’s Nathan Detroit created a beautifully nuanced relationship that went beyond mere caricature, giving the production a surprising layer of heart and authenticity.
The choreography by Nico O’Connor added dynamism to the production, particularly in numbers like “Havana” and “Luck Be a Lady,” where the ensemble’s energy shone. The lively choreography, combined with Chris Wade’s musical direction, highlighted the strength of the orchestra, which provided a rich musical backbone throughout the evening.
The production values were also commendable. Andrew Hull’s set design captured the spirit of 1940s New York, complemented by Billie Oleyar’s lighting that enhanced both the show’s moody and vibrant moments. Costumes by Erin McComb were period-appropriate, adding authenticity to the production’s look without overwhelming the actors’ performances.
Special mentions go to the supporting cast, with Jalen Friday’s Nicely-Nicely Johnson and Zach McDonald’s Benny Southstreet bringing humor and charm to every scene they inhabited. The “Sit Down, You’re Rockin’ the Boat” number was a crowd-pleaser, with Friday leading the ensemble in a show-stopping moment that brought the house down.
Behind this production’s success is producer Sarah Azcarate, whose leadership and vision have established Altadena Music Theatre as one of the premier small theaters in Los Angeles. Azcarate’s commitment to excellence was evident in every detail, from the casting to the production values. She has created a space where actors can shine and where audiences can experience Broadway-caliber performances in an intimate setting. Her work has transformed Altadena Music Theatre into a vibrant cultural hub, making it a must-visit venue for theater lovers across the city.
Overall, Altadena Music Theatre’s Guys and Dolls was a delightful production that respected the source material while imbuing it with fresh energy. The combination of strong direction, committed performances, and impressive technical work made this show a success. Whether you’re a fan of the musical or a theatergoer seeking an enjoyable night out, this Guys and Dolls was an entertaining reminder of why this musical remains a timeless classic.
